
EQ (equalization) is the most powerful mixing tool. It fixes problems, creates space, and shapes tone. This complete guide covers frequency fundamentals, filter types, subtractive vs additive philosophy, and instrument-specific settings. Master EQ = master mixing.
EQ Fundamentals
What is EQ?
EQ adjusts volume of specific frequency ranges (bass, mids, treble).
Main Controls
- Frequency: Which range to adjust (measured in Hz)
- Gain: How much to boost/cut (measured in dB, 18dB typical)
- Q (bandwidth): How wide the adjustment (0.5 = broad, 10 = surgical)
Å Complete Frequency Chart (20Hz-20kHz)
| Range | Character | Common Use |
|---|---|---|
| 20-60Hz | Sub-bass (rumble) | Kick drum, 808 bass. Cut on most instruments. |
| 60-250Hz | Bass (power) | Bass guitar, kick fundamental. Cut to reduce muddiness. |
| 250-500Hz | Low-mids (mud zone) | Male vocals, snare body. MOST COMMON CUT ZONE. |
| 500Hz-2kHz | Mids (body) | Guitars, piano, vocal warmth. Boost for presence. |
| 2-5kHz | High-mids (clarity) | Vocal intelligibility, snare snap. Boost for definition. |
| 5-8kHz | Presence (bite) | Sibilance (S sounds), hi-hat. Cut if harsh. |
| 8-12kHz | Brilliance (sparkle) | Cymbals, vocal breath. Boost for air. |
| 12-20kHz | Air (shimmer) | Reverb tails, room tone. Gentle boost for openness. |
Tip: Print this chart. Refer to it constantly until you memorize frequencies.
Filter Types
1. Bell (Parametric)
- Shape: Bump centered at frequency
- Use: Broad tone shaping (boost/cut mids)
- Q setting: 0.5-3.0 (broad to medium)
2. High-Pass Filter (HPF)
- Shape: Removes frequencies BELOW cutoff
- Use: Remove rumble/mud (essential on most tracks)
- Typical settings: 80-100Hz on vocals, 30Hz on kick
3. Low-Pass Filter (LPF)
- Shape: Removes frequencies ABOVE cutoff
- Use: Tame harshness (electric guitars, synths)
- Typical settings: 8-12kHz
4. Shelf
- Shape: Boosts/cuts all frequencies above/below point
- Use: Broad highs/lows adjustment (air, bass)
- Example: Low shelf at 100Hz (+3dB) adds warmth
Subtractive vs Additive EQ
Golden Rule: Cut Before You Boost
Why?
- Cutting: Removes problems, sounds natural
- Boosting: Adds coloration, eats headroom
Workflow
- Identify problem: Sweep with narrow Q (Q=10), boost +12dB
- Find harsh frequency: When it sounds bad, you found it
- Cut it: Switch to cut -3 to -6dB, widen Q to 2-3
- Check result: Should sound cleaner
- Only then boost: Add sparkle/presence if needed
Exception: Boost is OK for creative tone shaping (Pultec EQ style).
Q Width: Surgical vs Broad
Narrow Q (5-10): Surgical EQ
- Use: Remove specific problem (resonance, ring)
- Example: Snare ring at 850Hz ‘ ‘¢ cut -6dB, Q=8
- Warning: Sounds unnatural if overused
Medium Q (1-3): Standard
- Use: General tone shaping
- Most common setting
Wide Q (0.5-1): Broad Strokes
- Use: Gentle warmth/air adjustments
- Example: Vocal air +2dB at 10kHz, Q=0.7
- Sounds natural
Rule of thumb: Cut narrow, boost wide.
Instrument-Specific EQ: Vocals
Male Vocals
- HPF: 80-100Hz (remove rumble)
- Cut: 200-400Hz (-2 to -4dB, Q=2) ‘ ‘¢ removes mud
- Boost: 3-5kHz (+2 to +4dB, Q=1.5) ‘ ‘¢ clarity
- Boost: 10-12kHz (+2dB, Q=0.7) ‘ ‘¢ air
- De-ess: 5-8kHz (dynamic EQ or de-esser plugin)
Female Vocals
- HPF: 100-120Hz
- Cut: 250-500Hz (-2 to -3dB) ‘ ‘¢ reduces boxiness
- Boost: 5-8kHz (+3 to +5dB) ‘ ‘¢ presence
- Boost: 12kHz (+2dB) ‘ ‘¢ shimmer
Drums
Kick Drum
- HPF: 30-40Hz (remove sub-rumble unless 808)
- Boost: 60-80Hz (+3 to +6dB) ‘ ‘¢ sub punch
- Cut: 300-500Hz (-3dB) ‘ ‘¢ removes cardboard sound
- Boost: 3-5kHz (+2 to +4dB) ‘ ‘¢ beater click
Snare
- HPF: 80-100Hz
- Cut: 300-400Hz (-3 to -5dB) ‘ ‘¢ removes boxy tone
- Boost: 200Hz (+2dB) ‘ ‘¢ body (if thin)
- Boost: 3-5kHz (+3 to +5dB) ‘ ‘¢ snap
- Boost: 10kHz (+2dB) ‘ ‘¢ air
Hi-Hats & Cymbals
- HPF: 300-500Hz (remove bleed)
- Cut: 1-2kHz (-2dB) ‘ ‘¢ reduces harshness
- Boost: 8-12kHz (+2 to +4dB) ‘ ‘¢ sparkle
Å Bass Guitar
- HPF: 30-40Hz (leave room for kick)
- Boost: 60-100Hz (+2 to +4dB) ‘ ‘¢ low-end power
- Cut: 250-400Hz (-2 to -3dB) ‘ ‘¢ reduces mud
- Boost: 1-2kHz (+2 to +4dB) ‘ ‘¢ pick attack/definition
Guitars
Electric Guitar
- HPF: 80-120Hz (make room for bass)
- Cut: 200-400Hz (-3 to -5dB) ‘ ‘¢ removes boxiness
- Boost: 2-4kHz (+2 to +4dB) ‘ ‘¢ presence
- LPF: 8-10kHz (tame fizz if needed)
Acoustic Guitar
- HPF: 80-100Hz
- Cut: 200-300Hz (-2 to -3dB) ‘ ‘¢ reduces muddiness
- Boost: 5-8kHz (+2 to +4dB) ‘ ‘¢ sparkle
- Boost: 12kHz (+1 to +2dB) ‘ ‘¢ air
Advanced Techniques
1. Dynamic EQ
- What: EQ that activates only when signal exceeds threshold
- Use: De-essing, taming harsh peaks
- Example: Cut 6kHz by -6dB only when vocal hits loud S sounds
- Plugin: FabFilter Pro-Q 4 (dynamic EQ mode)
2. Mid/Side EQ
- Mid: Center mono signal (vocals, kick, snare)
- Side: Stereo information (reverb, guitars, synths)
- Technique: Boost highs on SIDE only ‘ ‘¢ wider stereo
3. Match EQ
- What: AI analyzes reference track, applies EQ to match
- Use: Get ballpark tone quickly
- Plugin: iZotope Ozone Match EQ
- Warning: Starting point only, not final mix
Best EQ Plugins
Surgical/Transparent
- FabFilter Pro-Q 4: Industry standard, dynamic EQ, $149
- iZotope Ozone EQ: AI-powered, match EQ, $99
Analog Color
- Waves SSL E-Channel: British console vibe, $29
- UAD Pultec EQP-1A: Vintage tube warmth, $149
- Slate Digital Virtual Console: Console emulation, $15/mo
Free
- TDR Nova: Dynamic EQ, parallel EQ, FREE
- ReaEQ: Reaper stock EQ (works standalone), FREE
Å Common Mistakes
- Å Boosting too much: Gentle +3dB > aggressive +10dB
- Å No HPF: Always high-pass (80-100Hz minimum)
- Å Fighting instruments: Cut 200-400Hz on guitars to make room for vocals
- Å EQ in solo: Check in context (full mix)
- Å Too narrow Q: Surgical cuts sound unnatural (use Q=2-3 for cuts)
Å” EQ Workflow Summary
- High-pass EVERYTHING (except kick/bass): 80-100Hz minimum
- Find problems: Sweep with boost +12dB, narrow Q=10
- Cut problems: -3 to -6dB, widen to Q=2-3
- Add clarity: Boost 3-5kHz (+2 to +4dB, Q=1.5) on vocals/snare
- Add air: Boost 10-12kHz (+2dB, Q=0.7) gently
- Check in context: Always listen in full mix
Remember: Less is more. If it sounds good, stop EQ’ing!
