How to Mix a Song: Complete Workflow
Mixing turns raw tracks into a professional, balanced, and powerful final product. This complete guide covers the 9 essential steps: gain staging, EQ, compression, spatial effects, automation, and final checks. Follow this proven workflow used by pro mixing engineers.
🎯 The 9-Step Mixing Workflow
- Preparation & Organization
- Gain Staging
- Rough Balance
- EQ (Cleaning)
- Compression (Dynamics)
- Spatial Effects (Reverb, Delay)
- Creative Processing
- Automation
- Final Check
1️⃣ Preparation & Organization
Clean Your Session
- Delete unused tracks
- Color-code tracks: Drums (red), bass (blue), vocals (yellow)
- Group similar tracks: All drums to DRUMS bus, all vocals to VOCAL bus
- Name everything: "Kick," "Snare," "Lead Vocal," not "Audio 1"
Set Reference Track
Import a professional song in your genre → compare levels/tonal balance throughout mixing.
2️⃣ Gain Staging: The Foundation
Why It Matters
Gain staging ensures clean headroom and prevents clipping. Target: -18dBFS to -12dBFS for individual tracks, -6dBFS for master bus (before mastering).
How to Gain Stage
- Turn all faders to 0dB (unity)
- Adjust clip gain: Lower loud tracks at source (not fader)
- Check master: Should peak around -6dB with all tracks playing
- Leave headroom: Never hit 0dBFS on master
3️⃣ Rough Balance: Set Levels
Order of Priority
- Vocals: Start here (loudest element usually)
- Drums: Kick + snare foundation
- Bass: Lock with kick
- Everything else: Support the main elements
Pro Tip
Mix at low volume (conversation level). If it sounds good quiet, it'll sound amazing loud.
4️⃣ EQ: Cleaning & Shaping
Subtractive EQ First
- High-pass filter: Remove rumble below 80-100Hz on non-bass tracks
- Cut mud: Reduce 200-500Hz on guitars, synths (give space to vocals)
- Tame harshness: Cut 2-4kHz if too aggressive
Additive EQ Second
- Boost presence: +2dB at 3-5kHz for vocal clarity
- Add air: +1-2dB at 10-12kHz for brightness
- Enhance body: +2dB at 100-200Hz for warmth (bass, kick)
Frequency Cheatsheet
- 20-60Hz: Sub bass (kick, 808)
- 60-250Hz: Warmth, body
- 250-500Hz: Mud zone (cut here)
- 500Hz-2kHz: Midrange, presence
- 2-5kHz: Clarity, definition
- 5-10kHz: Sibilance, brightness
- 10-20kHz: Air, sparkle
5️⃣ Compression: Control Dynamics
Compressor Settings
- Threshold: Where compression starts (-10dB typical)
- Ratio: How much compression (4:1 = medium, 8:1 = heavy)
- Attack: Fast (1ms) = tame transients, Slow (30ms) = keep punch
- Release: Match song tempo (100-300ms typical)
By Instrument
| Track | Ratio | Attack | Release |
|---|---|---|---|
| Vocals | 3:1 - 5:1 | 5-10ms | Auto |
| Kick | 4:1 - 6:1 | Fast (1ms) | Fast (50ms) |
| Snare | 4:1 | Slow (30ms) | Medium |
| Bass | 4:1 - 8:1 | 5ms | Auto |
| Guitars | 2:1 - 4:1 | Slow (20ms) | Auto |
Parallel Compression
Duplicate track → heavy compression (10:1) → blend 20-30% with original = punch + dynamics.
6️⃣ Spatial Effects: Reverb & Delay
Reverb Types
- Room: Subtle space (vocals, drums)
- Hall: Large space (orchestral, pads)
- Plate: Bright, vintage (vocals, snare)
Settings
- Pre-delay: 20-50ms (separates reverb from dry signal)
- Decay: 1.5-2.5s for vocals, 0.5-1s for drums
- High-pass reverb return: Cut below 200Hz (avoid mud)
Delay
- 1/4 note: Rhythmic echo
- 1/8 dotted: Modern EDM/trap
- Slapback (80-120ms): Vintage vocal doubling
7️⃣ Creative Processing
- Saturation: Adds warmth, harmonics (Decapitator, Saturn)
- Distortion: Aggressive edge (vocals, bass)
- Modulation: Chorus, flanger, phaser (guitars, synths)
- Stereo widening: Careful! Don't overdo (mono compatibility check)
8️⃣ Automation: Bring It to Life
What to Automate
- Vocal level: Ride fader to keep consistent presence
- Reverb send: More on chorus, less on verse
- Filter sweeps: Build tension before drops
- Panning: Movement in breakdowns
9️⃣ Final Checks
Checklist
- ✅ Mono compatibility: Check in mono (clubs, phones)
- ✅ Low volume test: Should still sound balanced
- ✅ Reference track: A/B with pro song
- ✅ Different speakers: Car, laptop, earbuds
- ✅ Take a break: Fresh ears tomorrow
✅ Key Takeaways
- Gain staging first: Clean headroom = clean mix
- Subtractive before additive: Cut mud before boosting
- Compress subtly: 3-6dB reduction max
- Reverb on sends: Not inserts (better control)
- Reference constantly: Compare with pro mixes
- Mix at low volume: Ear fatigue = bad decisions
Remember: Mixing is 20% technique, 80% taste. Trust your ears, not just numbers.